a release from the advent on mbelektronics, that s fucking crazy! the man is nothing less than a living legend, after tons of releases on labels such as kombination research, tresor, gigolo and drumcode just to name a few. >my world< is hands-in-the-air mnml electro-techno, whereas >terra nosa< is an extremely catchy dancefloor groover that will find its way to the crates of everyone who is up to date with techno music. spot on!

fresh from the success of his new album, ninja tuna, mr scruff dips his line back in the sea with the funktabulous get on down. taking a little chunk of 70s soul goodness (a prince phillip mitchell song, sung by johnny adams) and turning it into scruffy sashimi, this is undoubtedly one of the dancefloor stand outs of an album guaranteed to get any crowd bumping. hold on, on the other hand, features the smooooth vox of andreya triana, but nothing can stop scruff from dropping lashings of bass squelch - plus a little extra bangingness on the alternate version hold the dub. altogether uplifting, chest vibrating and all round marvellous, this is brit soul the way it should be done.

the 9th album by one of the biggest stars today, produced by madonna and mirwais ahmadzai.

now its massis time to put some funk on the wax, the fresh sound of the neapolitan artist gets more groovy and housey in the three tracks included in this new release which already got big support and great feedback from the likes of marco carola, troy pierce, adam beyer, nic fanciulli, alexi delano, karotte, brothers vibe, monika kruse, davide squillace, to name a few

two key players of the scene join forces on figures sixteenth release. no one else than adam beyer and luke slater contribute tracks to this very special ep. mod by luke slaters planetary assault systems project takes off with a fast, breathless groove. its force drags the dancers along, and the mesmerizing bleeps put everybody in a deep trance. within seconds, the solid ground of the dancefloor is nothing but a remote memory. mod has a very special aura, it is hard to grasp its exceptional energy. it appears to be pretty elementary, and yet it is an verwhelming techno anthem which will accompany you for quite some time. adam beyers simulated usage surprises the crowd with its elegance and subtlety. forming an irresistible funk, the fabric of the track interweaves various tiny elements. this savageness obviously manifests in his musical approach which can be characterized by his open-mindedness in regard to diverse influences, currents and styles. simulated usage is strong and joyful, it is techno in its best sense. once again, adam beyer und luke slater manage to coin the face of contemporary club music.

great hiphop-flavored breakbeat/electro-ep by headrush, made in 2002.

a brand new ep from the count & sinden, which showcases their love of all sorts of club music, from garage to r n b, from hip hop to grime. lead track hardcore girls is the sound of the much hyped baltimore breaks scene, evolved, displaced and mutated as only the count & sinden know how. fronted by the hottest thing out of b more since the wire, 17 year old wild child of the mike, rye rye. she has been touring the states with mia and, now signed to interscope, she is set to do big things. her unique and energetic vocal is treated to one of the duo’s best bumpy bass grooves and the combined effect is nothing short of devastating. another new school talent picked up on by the count & sinden is ny. bubbling on the uk underground, she fronts the hardcore, jungle inflected soul that is fool in love. this is pop music for the now and tomorrow, a classic love song set to a raucous jungle inspired backing track which has become a live favourite over the summer.finally we have jme, a legend in the grime scene, known for his tight flows, guest appearances and his boy better know franchise. industry gives an overview of the pit falls of getting involved in the trickiest of games... the music business. and who would want to get involved in that shit!?!

incl. breakin mixes by zubrowka and nothing!

melodischer (tech)house welcher agil & nachdrücklich seine runden dreht bis auch der letzte die melodie mitpfeift. auf der flip wird es deeper und kuscheliger. tolles sounderlebnis zweier ausgereifter studiomusiker

remixes by pig & dan and prompt big with hernan cattaneo, laurent garnier, paolo mojo, john digweed,.. new yorks roman s. drops his new track horn! to great avail from the industrys best. with exclusive remixes from nominees for ibizas best techno act in 2008, pig & dan and prompt, this latest release is nothing short of spectacular. great reviews have been pouring in from the likes of john digweed, hernanancattaneo, dennis ruyer, funkagenda, and tom wax. echoing the overwhelming early positive feedback surrounding this release, james talk contributed, nice solid peak time mix from p&d. john digweedalso gave the release rave reviews, adding sounds really good.

this project is a showcase of ians most recent club tracks and all appear in there original mixes. crank this, is a seriously heavy club tune. budapest, has a middle eastern vibes (hence the title) and has wobbly, wonky bass as well as a distinct break beat kick drum pattern. finally the much talked about everything & nothing, the title track of this ep sees ian going down a melodic & uplifting pryda influenced route.

like many of us over here at bear towers, giorgio sancristoforo aka tobor disco experience has an unhealthy interest in the 1970s - the instruments of bob moog, vocoders, alan parsons - the cult sci fi series space 1999 - and here hes used the decade as a sonic palette to create the kind of ep that gets the whole office (ie: both of us, on pcs at home, occasionally) sitting up and listening. opener disco moog has already been used on our rools for rules compilation earlier this year and had many beards twitching at the prospect of forthcoming vinyl. shooting star is a more uptempo affair with blissful chords, slap bass, disco handclaps and gios trademark vocoder. i feel loved is a personal favourite of stevie kotey with anthem written all over it. this awesome clavinet workout has such a good vibe about it you cant help feeling nothing but loved. it could easy be mistaken for alan hawkshaw super rare bruton library track.

this three track ep starts with the title track >walking alone<. showcasing mike’s attention to the deepest details, this track begins with warm, fuzzy chord sequences onto which a multi-layered framework of tones and textures are laid. crisp beats mesh with hypnotic bass pulsations, inviting the listener to lose himself in the sound. proper deepness here - for those who seek the essential elements and nothing more, rhythm, melody, bass line, emotion.. expertly produced, >passing tunnels< goes further below the surface as icy chords meet electrified analog stabs, enveloped in cavernous reverbs and shimmering delays. this is a dark, simmering groove for those who know the rare and precious value of a deep, unpretentious tune that can move you from the inside out. take time and listen - there’s no denying the vibrations here. and finally, rounding off the ep is label boss patrice scott’s rework of >walking alone<. properly titled the >atmospheric remix<, p. scott takes the track to another level. while keeping the basic elements of the original, p. scott adds spacey, vibrant melodies to extenuate his version taking you on a journey to a distant planet while on the dance floor.

hardtechno & terror tracks !! cannibal sublabel domestic violence presents its 5th piece of aggresive mayhem. this time lexis thrashes everything around him and leaves nothing but victims. he takes everything he wants, puts it in a blender and claims it to be his property. all resulting in a piece of vinyl that will make your ears bleed. not for the scary amongst us... show what you are made of and dare play this out in the clubs

artillery hits us again hard after the very succesfull release of waldhaus on the latest one. dj amok always knows where to find the tracks he needs to play in his devastating sets and this is another example of his uncompromised style! the artillery strikes hard and leaves nothing but victims!!

this release is becoming one of our favorites of the year! there are 2 mixes to compliment this massive original. the first mix comes from canadian underground breaks mastermind evan michael who leaves nothing behind in this peaktime mix. the evan michael mix is filled with dirty breaks, raw basslines and a massive breakdown fit for any big room dance floor. last up on the flip is fabian schumann, another underground sensation who brings a more chilled mix to the table, adding crisp bouncy melodies and a soft bassline.

without a doubt, chicago native huge hephner has garnered quite the reputation as an international playboy - pimpin and whorin his way into the electronic music worlds stream of consciousness. however, behind the tough guy persona is a highly underrated producer with an unbridled passion for music and love of the analog gear he uses to produce such increasingly in-demand sounds. it is this perversion that lends meaning to the title of his debut album, nymphotech, released on none other than the label that helped launch his career, siteholder records. unflinching in its house vibe, yet relentless in its dance floor attack, nymphotech is a highly impressive debut album by a producer who continues to up his game with each successive release. hephner kicks off part one of a two-part vinyl album sampler with the chugging acid burner sharing the same title as the album. nothing less than 4 a.m. packed club material, to play nympotech at any other time would be a failure to recognize this bombs full potential. jack n coke is undoubtedly huges nod to his hometowns house legacy, showcasing a flirtatious bass line that screams funk in all caps. wheres the acid? fans of hephner might ask. leave that up to freaky $ean da don, featuring the vocal debut of huges body guard and reputed hitman who bears the same name as the tracks title. if nymphotech is any indication of whats to come from mr. hephner, we can only hope huge will manage to stay out of jail long enough to produce a follow-up

our music is a secret order. but we are not rich powerful men in suits planning how to get even richer. nor are we dressing in capes performing occult or religious sermonize. we are no elite trying to separate ourselves from others. no, we are ordinary down to earth people. what unites us is that we live and breathe music. it is our passion and our drive. and it has been like that since we discovered that music must be an expression of the human soul. or as jason fine puts it: in my opinion, making deep music is not possible without a strong internal connection between the user and their feelings. ultimately the end product is a reflection of what the user was feeling while making the piece. i think its important to listen to your creative flow and respect it -- i dont try to make music when im not feeling it, because guaranteed the result will be bad. it all boils down to what im feeling at that particular moment in time when i create a piece. with these words we welcome you to the first full length album release on the kontra-musik imprint - our music is a secret order (louis armstrong, 1954). producer is greatly talented newcomer jason fine, who released his superb debut ep on omar-s fxhe label last year. the twelve pieces of minimal detroit sounds you are about to hear, were sent to us as one package. we were blown away and there was nothing else to do but surrender to its quality and sign them all. now join us…

classical wj henze album !!

the name of the midwestern state of the united states ohio is derived from the seneca word ohi:yo, meaning beautiful river. khoibas music is also like a river, with a beautiful melancholy, with many crooks, rapids with deep and shallow water, with riber beds of sand and stone. ohio is a bitterweet song about a love crisis. about the good and the bad things of relationship. the hightrope walk between all or nothing. the desire of a new start, with the fear, that noting realy will changed.

classic album on 180g heavyweight double vinyl, including hit singles ray of light & frozen!

massive funk/rock crossover track!! includes tocadisco remix. taken from the album we started nothing!!

king roc of two armadilloses solo release #3 on his own label. the b-side called >flows 1&2< is a upbuilding cynical tech-house monster with a super arrangement and an orgasmic string-drive breakdown. on the flip you will find a cool dramatical tech-house track and a nice ambient cut

2001 classic release by mr minimise donacha costello!!

jerome sydenhams mighty dub remix of hideo kobayashis >the puzzle< is simple energetic and very efficient track. ablaze with stabs and a funky beat it does nothing less than thrown you into a state of tech-house frenzy. jerome sydenham dons his techno hat to express his interpretation of the heart of darkness in >congo<. big kicks, punchy bass lines and a deep house hook make >congo< not only fresh in sydenhams production approach but also very accessible to all those who are tech inclined

waves of human suffering is exactly what the title implies, a non stop assault to the senses decrying the horrors humanity ritualistically bestows upon itself. but amidst the controlled chaos created by benumb leader pete ponitkoff and vulgar pigeons alumni jeff lenormand and john gotelli, if you listen beyond the walls of intense riffing, double time percussion and hardcore ethos, you can clearly hear that agenda of swine optimistically retains hope for future change. the best grinding metal has always been punk as fuck!

alec storey has been making quite a name for himself in techno & electro circles since his debut release on kracktronik back in 2006. renowned for his no-holds-barred live shows (which often incorporate stunning demonstrations of his considerable skills as a drummer), he has also been making considerable progress in the studio, with new equipment and new techniques. the troglodyte ep is a distillation of all these things and more, and although calling it refined might be stretching it a bit (its not called the troglodyte ep for nothing), its certainly fair to say that he has honed his sound into a near-perfect combination of brutal beats, bowel-busting bass, and mind-mangling sound design, all presented at slightly-higher-than-normal tempos, guaranteed to get the pulse racing. for remix duties we called in two heavyweight producers! carl finlow (aka silicon scally) has been turning out immaculate electro, house and techno for over 10 years now, with releases & remixes on such respected labels as mute, warp, playhouse, satamile & scsi-av . here he turns troglodyte into an off-kilter, but driving, electro workout full of twists and turns. kracktronik fave volum doesnt disappoint either. he drops the tempo and increases the spook factor by a few notches, and as always his intricate programming reveals layer after layer of nutritious electronic brain-food.

gay marvine takes up his gay blade once again with the 3rd gender, rocking the party at its peak. all sylvester edits...

the e.p showcases some new sides to james sound and has won widespread support and praise. the title track call & response is a shuffly groover which is impeccably produced and arranged. it will be sure to get the floor grooving and has picked up nothing but positive responses from all who have heard it so far. the second track the trinity is james personal favourite of the moment. it goes tough – very tough – and as the slammin groove builds to the point of explosion, it defuses and rebuilds with controlled power. this is an absolute dancefloor bomb...

get in challenge with boris s! boris s. invited the best hardtechno producers to get in challenge with him for a wet t-shirt contest! on this vinyl you will find the best of remixes you can imagine! heroes like frank kvitta, nitram or o.b.i. beared the challenge and what you will hear will definitely turn your world around! this remix package is earthshaking, mind blowing and amazing! this vinyl will get every t-shirt wet! nothing more to say!

the first of two eps by rotterdam talent louis guilliaume. on his own initiative he made two remixes of the syncom data technohit beyond the stars, which resulted in the smashing syncom lock and heat of the storm mixes and his immediate signing on their label. both mixes are guaranteed to rock any dancefloor, whether it’s crowded with techno, house or electroheads. guilliaume is one of those rare artists who doesn’t fit in one genre, which he proves with fucked up and old skool. two stunning tracks that hoover between different styles with ease, the endresult being nothing less than pure electronic funk straight from a very gifted soul. available as a limited pressing on coloured vinyl.

acapella tools by martha wash, olive, boris dlugosh, antoinette, one phat diva, george morel, powerhouse, solutions and more

three new tracks by mix mup on mikrodisko. three musical statements, instead of drawing from a wide range of samples from old vinyl, as he did on his last release >dj of higher quality<, mix mup this time mostly relies on his own voice and an all-in-one sequencer. you can hear his love for raw chicago-acid-house b-sides, his affinity for italodisco and sonic experimentation. this is not about a clean sound and a clear arrangement, the tracks were produced in a moment for the moment. all tracks were produced in a single session, without quantising, without a screen, without a mouse. always with some scepticism and his tongue in his cheek

nice price deal !!! energetic high class house music courtesy swedens new man of the hour mr albin myers! albin has been given the great possibility of remixing some of the biggest artist and project in todays dance music scene. john dahlbaeck hustle up (nero recordings/mos), the attic flash in the night (scorpio music/universal music) and german producer and dj giant tom novys new single runaway, are just a few examples of great sounding fierce. this joint is nothing short of a master piece, dribbling the thin line between house and acid building breaks whit drops and effects that leaves no one in peace, massive dj support from the likes of john dahlbäck, david guetta, danny freakazoid, d.o.n.s.

deleta aka dj bazooka is the label boss of this new dubstep label catering to the darker, harder side of dubstep. bazooka is also behind berlins most ferocious and unapologetic drum n bass label aural carnage. with an almost vampiric hunger for the tastes of hip hop, ragga, jungle, metal, reggae, dub and graffiti deleta has spawned nothing but gut wrenching and unforgettable tracks

an incredible ep with namlook exploring the edges of minimal techno and deep ambient, while the remixes are pepe bradocks most dancefloor oriented works in ages! macro delivers a stunning release by a man who has not only produced 3 collaborational albums with richie hawtin, but also runs the ultra influential fax label with an artist roster ranging from speedy j to bill laswell to klaus schulze: namlook is a true electronic pioneer in a league of his own. the track >subharmonic atoms< was produced back in 1995 and is re-released by macro as a long out of print electronic prototype on the edge of minimal techno and ambient. but dont think this is a retro affair: subharmonic atoms sounds incredibly fresh and proves it is as groundbreaking, innovative and timeless as jeff mills early axis works or hawtins concept1 series. entirely remastered from the original source and cut in unparalleled sound quality, it is available on a single 12inch side for the first time ever. the release is completed with nothing short but french remix master pepe bradocks triumphant return to the dancefloor. his versions of >atoms< are rocking upfront house burners, which his fans have been waiting for since 2003s intrusion ep. definitely one of this years hottest packages

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

just when you thought it was safe in the club… party breaks massive!

first single to be lifted from the forthcoming lp is a flawless representation of some of the freakishly danceable tracks contained therein. a wholly original mashup of electronics, my heart rate rapid is sheer falsetto laden, drum battering brilliance. although metronomys elliptical, insidious, multi coloured art pop sounds nothing like colognes legendary purveyors of prog disco, can do offer clues to the lineage the band belong to. add early brian eno, sparks, devo, talking heads, soft cell, and then scratch your head for more recent examples of abstract music, full of experiment, risk, and individuality that somehow resolves itself into pop that makes you sing and dance and feel like a big kid and you realise that you cant think of any, because metronomy are, in the current pop milieu, an utterly unique proposition.

nice price deal !!! nasum were the undisputed leaders of grindcores second wave and nothing proves this more than doombringer

the shirt to the limited record serie … nothing to say rekorder rec label shirt (shirts from amerian apparel)

nice price deal !!! berlin-based dj kaos has been producing twisted disco tunes for a number of years and has been an integral part of the berlin underground scene. last year’s single cerebral tremolo was released by nyc’s rong, but was also picked up by parisian tastemakers, kitsuné, and his newest single panopeeps features a killer remix by shit robot. his turn at remixing has proved fruitful as well, including work for rodion, tom vek, chk chk chk, roxy music, and new young pony club. he has also been part of the faith recordings ’collectors series’ mix cds, with danse, gravite zero which he co-produced with sal principiato, of the legendary liquid liquid. his latest project called ’ bingo volume one ’ and features various edits of the good old times . expect nothing short of amazing, with a range from acid techno to true-blue disco.

debut album by indie rock n roll band correcto from glasgow/uk

cool electronic techhouse

although berlin based dj woody has long been a member of the gigolo crew, having the honor to play at some legendary gigolo nights, this is woodys first solo release for gigolo. and what a fine entry onto the gigolo-scene it is: sure to get people in the know talking... and dancing! woody is the original sonic funkateer whose life is completely focussed on music and his very own definition of funk. hes a genuine kind of a guy, needing nothing more than two turntables, a mixer and an audience to know hes alive. for him djing and making music is not just a job, its his destiny. just one listen to a track like august and you know how much painstaking attention to detail, and love, has been poured into the production of these tracks. august is a cerebral sounding track that will lift you to another level. a version of august is featured on the double cd 10 years anniversary compilation gigolos cd 10 (gigolo210) selected by gigolo boss hell. booty bar is another pumping and raunchy tune thats guaranteed to get that ass shakin. its and slammin beats and funky, almost jazzy, synths licks plus the sexy vocal samples gives this number a succinctly gigolo feel to it. with songs like this, its no wonder that woody is one of the most respected german djs on the international scene

on the remix duty probably the two biggest names in electronic music at the moment: danny freakazoid and klaas! the original mixes go out a bit more housy with lovely breaks and catchy vocals that increase into a rocking synth theme. the klaas remix features big guitar breaks including the original vocals and the typical huge and boombastic klaas synths. danny freakazoid as the master of intelligent electro delivers two excellent remixes in full freakazoid effect. nothing more to say - this is a bomb!

word we werent expecting this! this fine platter kicks off with a deft mash up of paris greys dont lead me and neurotic behaviour by psyche (carl craig) and then launches into a beefed up edit of derrick mays kaos. on the b-side is a re-edit of the kevin saunderson remix of we know it by the wee papa girl rappers. we dont know who did this and nor do we care. its a perfect party record for peak time dance floor lunacy. nothing innovative, nothing new but just adding a new twist to old classics and doing it with style. highly recommended

neww tracks from mountain peoples rozzo supported by matthias tanzmann, shinedoe, 2000 and one, tobi neumann and karotte. rozzo has descended from the hills to drop two underproduced djtools that have been successfully tested on various dancefloors. nothing that will push boundaries of electronic music, however, lots of fun & function

felix dickinson and toby tobias team up to great effect under the name of the mythical beasts on the newie from hector works. low slung funk bass and disco claps and synths make the original a sleazy discoid workout par excellence and as if that wasnt enough both q burns abstract message and nick chacona & anthony mansfield are on the mixes too. q burns mix is nothing to write home about in truth but chacona and chum do good things on their take, upping the tempo and aiming it squarely at the floor. hot!